Ben Davis recaps Scope Hamptons on Artnet. In it, he takes customary swipes at Scope for being scrappy, cites the growing presence of Latin American artists and gives props to Lifeboat by Paul Middendorf (PDX) and Mary Mattingly (NYC) of Manifest Artistry.

Tyler Green dishes the dirt on Thomas Krens' future at the Gugg. With his loft on the market, is he moving on or just moving?

AbLA likens the art market to the music biz with some precautionary words. With an (over?)inflated market and a recent tendency toward short-sightedness, is the art world setting itself up for a string of vapid one hit wonders? Caryn argues, and I agree, that artists, gallerists and collectors need to take the long view to build careers, not another spash in the pan.