Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

Mid April Links
America's Whispered Truths closing at Archer Gallery
Early April Critique of Institution Links
Spring Cleaning Cluster Reviews
Spring Calls
More Spring Cleaning
Early Spring Cleaning Links
D.E. May 1952-2019
Save OCAC protests
February links to Love
The end of OCAC?
End of January Links

recent comments



Book Review
Calls for Artists
Design Review
Openings & Events
About PORT

regular contributors


Tori Abernathy
Amy Bernstein
Katherine Bovee
Emily Cappa
Patrick Collier
Arcy Douglass
Megan Driscoll
Jesse Hayward
Sarah Henderson
Jeff Jahn
Kelly Kutchko
Drew Lenihan
Victor Maldonado
Christopher Moon
Jascha Owens
Alex Rauch
Gary Wiseman



Guest Contributors
Past Contributors
April 2019
March 2019
February 2019
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us


Contact us






powered by


Movable Type 3.16

This site is licensed under a


Creative Commons License

Tuesday 07.31.18

« Alia Ali's Borderland at Bluesky | Main | August must see picks »

End of July News

Is it the End of July or the end of civilization? Just kidding but I have to ask it:

Klaus Biesenbach will be the new Director of MoCA. Well he does like celebrities, which is something you need to embrace if you are going to get MoCA back on track. But can they replace all the curatorial expertise the institution has squandered in the last decade like Alma Ruiz, Helen, Molesworth and Paul Schimmel. Can Biesenbach rebuild that? For an unecessary sports metaphor think of this as "a rebuilding season" because MoCA has lost so much talent. Also, as LACMA reaches the home stretch on its new building campaign will MOCA right itself and expand enough to put its permanent collection to better use? If so I challenge Biesenbach to do so that reinvigorates the tradition of intense and opinionated curatorial expertise at this crucial institution. Otherwise, I fear MoCA my not make it. From what I know Biesenbach might have the skillset, especially if his development staff is stronger. Maybe this director is the chosen one? maybe not? But at least he has plenty of examples of what not to do like squander expertise, tone deaf market lead conservatism etc. Can the reintroduction of curatorial rigor that is in close association with artists be the answer? That's what I believe... it is like the farm to table movement in food, be close to the artists (farmers)! Today's curators at major museums have mostly lost that. *Update: Christopher Knight makes a to do list for Biesenbach and he's right about the tedious Eurocentrism... why go back there when the pacific rim, which includes the West Coast of the USA is still growing into its potential far more than the already mature European continent, which is already well represented. Let's look to the future and we wish Biesenbach luck if he can please with intellectual rigor (LA has a very academically trained cognescenti who are annoyed with MoCA right now) and hollywood sparkle turned into $$$ and institutional momentum he will have what it takes. In an ironic turn it may be Michael Govan and LACMA's new expansion that can give Biesenbach another major wave to catch. That said he's got to know what seeing to catch it... experience in NYC or Europe doesnt really prepare one for the West Coast.

Laura Hoptman is also leaving MoMA but unlike Biesenbach is staying in NYC. Like a lot of curators they all seem to want to be directors. In general this is problematic as directorships are very different and it means that the best or at least most ambitious curators all see the job as a steping stone to a directorship, which is more about numbers and the daily operations of a museum. Thus, the expertise pool is depleted upon the altar of management and fund raising.

Sacha Baron Cohen flays an art advisor as part of his upcoming movie. He also created a self-hating white male Reed professor so I'm gonna have to see this... It is odd how academia has adopted this prophylactic and anti-intellectual nomenclature. A large proportion of my best friends in Portland are Reedies and most of them have satirized this trend as well so SBC is mining a well defined vein of comedy gold.

Somewhat uninformed but well intentioned AIDS protests at a show by an AIDS activist artist who died of AIDS (somehow they needed it to be more explicit? Instead stage a contemporary show... which is something I would have done were I at the Whitney). See the anti-intellectual prophylactic outrage stuff skewered by SBC above. True though, museums tend to not pick at the scabs these days. It is a loss of nerve in programming so the protest isnt in vain it just was a hair off its true target, or maybe they just took the bait. I'm convinced the Whitney has done this out of institutional passive aggressiveness.

Posted by Jeff Jahn on July 31, 2018 at 13:49 | Comments (0)


Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)

Remember me?

s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee