Paul Clay at Archer
Paul Clay's Push/Pull
at the Archer Gallery
Archer curator Senseney Stokes is doing great things up in Vancouver Washington. Her Mary Henry micro-spective was perhaps the best solo exhibition of 2016 and now she's tapped Paul Clay for Push/Pull
. He is one of the most interesting new media artists in Portland. PORT reviewed Clay's daring Portland Building show in 2014
and I've been waiting for Portland's institutions (frankly slow to support local new media despite being awash in riches) to feature him and others. Interested in the evolution of humanity and technology as well as conscience transference (more common than you'd think), Clay's Push Pull at the Archer has my full attention. He's been one to watch for years. Here's your chance.
For the performance April 13 at 7:00 remember to bring a wifi-enabled smart device + earbuds or headphones.
Push/Pull | April 11- May 6
Opening Reception and Performance: 6-8PM, April 13 (7:00 performance)
Artist Talk: April 19
1933 Ft. Vancouver Way, Vancouver Washington
Posted by Jeff Jahn
on April 12, 2017 at 12:56
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The Rodin experience at PAM
One of The Burghers of Calais, Jean de Fiennes, Clothed
by Laurel Reed Pavic
An enormous headshot of Auguste Rodin greets visitors to the Portland Art Museum's Rodin: The Human Experience
. His face is wall-sized, bearded, with crinkly, twinkly eyes; it is everything we want to see in our artistic geniuses. The show is part of a celebration of the sculptor's work 100 years after his death in 1917. The sculptures are all from the Iris and Gerald B. Cantor Collections and part of Portland Art Museum's drive to "bring the world to Oregon" in the words of Director and now Chief Curator Brian Ferriso.
The works in the exhibition are a fascinating smattering from Rodin's extensive oeuvre. The exhibition begins in the atrium with four studies or reprisals for Rodin's "breakout" commission for The Burghers of Calais
(1884-1895) and two Caryatids
. A cast of Jean de Fiennes, Clothed
anchors the atrium grouping and provides an opportunity for a wall tag to introduce Rodin's famous public monument. The Monumental Head of Jean d'Aire
to the left is also inspired by The Burghers though the head wasn't modeled until... (more)
Posted by Guest
on April 09, 2017 at 11:02
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First Thursday Picks April 2017
Tabitha Nickolai, Vorpal Cuck-Knives (2017)
Costumes, Reverence and Forms features eight artists from two river cities (Portland and Philadelphia) together in both cities. There has been a year's worth of curatorial exchanges involving two institutions and six curators fostering new connections. The exhibition itself is more of a sampler than a survey. Costumes, Reverence, and Forms features artists; Avantika Bawa, Tabitha Nikolai, Jess Perlitz, and Ralph Pugay (all from Portland) as well as Marianne Dages, Beth Heinly, Anna Neighbor and Kristen Neville Taylor (from Philadelphia). For quite some time costume and guise have been an important way to subvert cultural norms and to impose new ones so this exhibition should be of great interest to anyone who has been paying attention
Costumes, Reverence and Forms | April 6 - June 3, 2017
First Thursday: April 6, 6:00-8:00PM
511 NW Broadway
Brother sister team Merridawn and Georgie Duckler present Roboyat: Omar Khayyam's "Rubaiyat" Reimagined. Promising cacophony and the "anti-topical" this looks like a must. The artists state, "We are interested in ideas of translation, the ephemeral and daily image, what lasts and doesn't, the lineages that keep poetry and visual art alive, in science and in language as a visual medium."
Roboyat: Omar Khayyam's "Rubaiyat" Reimagined | April 4- 29
Opening reception: April 6, 6-9PM
Lecture: April 9, 7PM
420 NW 9th
Posted by Jeff Jahn
on April 06, 2017 at 9:56
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Japanese Garden's Cultural Crosssing sets the bar
Kengo Kuma's Japanese Garden expansion transcends architecture (all photos Jeff Jahn)
Architecture is the applied art of buildings that create and reshuffle the dictates of site and civilization. True architecture elevates the discussion/experience, going beyond mere shelter. When done right it becomes a meditation upon both human activity and the persistence of the site. True, most public architecture is just a thinly veiled ploy for attention, a way to organize cultural energy and perhaps focus funds upon itself but it need not be narcissistic. That said the Portland Japanese Garden's "Cultural Crossing" expansion
certainly isn't vain or even stunt-like so much as an innovation driven by necessity. With over 400,000 visitors last year alone (despite being closed part of that time) the tiny and fragile garden was on the precipice of losing what made it special, being a contemplative atmosphere devoted to the Japanese way of executing exquisite excellent experiences. When done right public architecture ennobles and inspires the community it serves and as an excellent first US project by one of the world's greatest architects it certainly should perform that function.
The Portland Japanese Garden's solution was to hire architect Kengo Kuma who detailed how he would create a satoyama or mountain village with PORT in an interview years ago
. It was a stunning inversion, create a tiny village that would expand the cosmopolitan exploration of two cultures already engaged in a vigorous conversation.
the new village courtyard
Portland and the Japanese have had a mutual infatuation with each other that goes back over a century... all the way back to the 1905 World's Fair in Portland. Today, Japanese tourists flood Portland's streets... and replicate our food scene at home. Likewise, Portland's artists and cognoscenti travel to and study in Japan frequently and you can see the influence in their work. The cultural exchange in art, food, music and geek-craft is intense. Notably, Portland also boasts of having the finest Japanese Garden outside its native lands so it makes sense that this amplified cultural exchange would find its way to that site. Yet, what they have done is so much more, its the story of a small institution using a 33 million dollar project to grow into a new role... a kind of embassy of understanding and exchange. The fact that it does so by creating a cutting edge version of a medieval village, one which re-imagines feudal castle walls (typically barriers) into an invitation gives us an idea of just how innovative this project is. The buildings with their new shoji screen system echos the vertical army of Douglas Fir trees on site is poetry in the guise of place making. I've never experienced buildings so at home within a massive stand of trees. Appropriately the construction projects are not 100% complete (mostly roofs, which are living gardens themselves).
It could have gone wrong so easily, but instead... (more)
Posted by Jeff Jahn
on April 01, 2017 at 6:01
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