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Friday 10.31.14

 

David Hockney's The Arrival of Spring

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(detail) The Arrival of Spring in Woldgate, East Yorkshire in 2011 (photo Jeff Jahn)

For painters interested in alternative methods there are a few must see hyper sensual shows in New York like Chris Ofili's Night and Day at the New Museum and the heavy weight Matisse Cut Outs at MoMA. Both present painters with a tantalizing ability to reinvent themselves but perhaps the most exciting reinvention exhibition is David Hockney's The Arrival of Spring at Pace, which ends this Saturday.

Hockney5_sm.jpg (at right) The Arrival of Spring in Woldgate, East Yorkshire in 2011

Consisting of prints made using an iPad, a 9 channel aggregate video and a series of drawing completed after Hockney suffered a mild stroke, all of the works depict a kind of homecoming as Woldgate is an ancient Roman road that Hockney first encountered at age 15.


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Posted by Jeff Jahn on October 31, 2014 at 7:04 | Comments (0)


I'm Afraid, Will I Dream? at HQHQ

Dream_Will.jpg

HQHQ Project Space presents I'm Afraid, Will I Dream? Featuring; Matt Leavitt, Izidora Leber, Justin K. Moore + John Tage Johnson and Anastasia Tuazon. Taken from the famous line in Kubrick's 2001 this exhibition looks to sidestep the more sensational aspects of the Halloween season to explore the transcendental by tuning out the existential mitigation that reliance on automation and computers brings.

I'm Afraid, Will I Dream? | October 30 - November 17
Opening Reception: October 30 6-9PM
HQHQ Project Space
232 SE Oak St #108


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Posted by Jeff Jahn on October 29, 2014 at 18:15 | Comments (0)


Monday Links

I've been on the road so finishing the Guenther post has been a challenge but I'm in the coding phase now and should be done soon. Till then here are a few links:

Hans Haacke takes on the Koch Brothers.

Paul McCarthy's naughty Chocolate factory in Paris.

Prospect 3 opened in New Orleans last week... PORT sent someone and will have coverage shortly.


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Posted by Jeff Jahn on October 27, 2014 at 19:04 | Comments (0)


Friday Links

The WSJ asks what if everyone is a curator? Obviously they aren't (a true curator isn't making one time choices, they consider a programmatic/object arc of meaning). I get into this issue in depth in my Bruce Guenther piece (which is coming...it is long) but the article raises the question of the type of institutions that don't have full time curators developing programming. In a way it makes the programmatic arc flexible but also schizophrenic, trite & flirty and therefore hard to fund long term. For example, Jeffrey Deitch is an excellent gallerist/gadfly but as a museum director his approach didn't work, creating massive backlash (the Fry is widely considered to be losing its reputation and MoMA is on the brink). Overall, I'm of the belief that museums need to own the long game yet do an occasionally porous event that challenges the typical museum authority. PAM does this with Shine A Light and New For The Wall events but not having a chief Curator would be a problem as The museum is really a 3 house system, the executive (fundraising), curatorial (collections and programming) and education (outreach).

Brian Libby with Michael Graves on keeping Portland's architecture wierd... and nothing is weirder than Graves' Portland Building.

Amir Nikravan's accretion paintings reviewed.

Richard Prince unintentionally gives a young artist a Chelsea debut.

Jerry Saltz on Marina Abramovich... he gets it. The work is a tease and for some that is enough. Others, not so much. I loved her Great Wall piece but lately it is a bit too much like Downton Abbey to take seriously.


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Posted by Jeff Jahn on October 24, 2014 at 14:32 | Comments (0)


Weekend Picks

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Kazumi Murose

Portland's Japanese Garden has been doing the strongest craft-based shows in Portland for several years now, though it helps that the Japanese craft tradition is fully appreciated with their top practitioners being revered as "National Living Treasures." The Portland Japanese Garden's latest exhibition Urushi: Masterpieces of Lacquerware by Kazumi Murose, Living National Treasure of Japan (October 25–November 16) brings one of these national treasures to us. Lacquer has been undergoing a resurgence in innovations of late avoiding the relicquery assigned to any form that purely looks to the past. Kazumi Murose will also be giving a talk on the 26th (at PAM), which should be inspiring to anyone who appreciates skill, design and Japanese culture.

Urushi: Masterpieces of Lacquerware by Kazumi Murose, Living National Treasure of Japan | October 25 - November 16, 2014
Artist Lecture: October 26, 2-4PM at Portland Art Museum (free but RSVP)
Portland Japanese Garden in the Pavilion Gallery
611 SW Kingston Avenue


... (more)


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Posted by Jeff Jahn on October 23, 2014 at 15:56 | Comments (0)


Monday Links

Ok it is Bruce Guenther's last day at PAM and I'm finishing off my long piece on his career just as, "Elvis has left the building." It will be ready soon and its important to have it right because ity is very comprehensive and a good moment to think about where this leaves PAM both in terms of challenges and opportunities. Till then here are a few links:

Lots of stories on Jeff Koons including a documentary of a crucial career moment and vandalism. I truly doubt that he doesn't want people to see the film... just doesn't want to foreground it (silly press, Jeff Koons not want attention?).

Europe's first carpenters.

More art vandalism. It's never good for the specific installation but it does draw attention to the piece and artist... there's a fine line and should never be condoned, but stronger work survives and even gains more relevance through the indignity.


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Posted by Jeff Jahn on October 20, 2014 at 11:08 | Comments (0)


Weekend Wanderer

Yes, PORT will have my Bruce Guenther piece for you after the weekend (it is as complicated, personal and historically versed as its subject matter and I want to let it marinate a little more). Still, you should get out and see some art this weekend (shows that opened last weekend, Lumber Room and Abigail Newbold at PNCA are all still up) and these three new additions might just make your weekend.

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(L to R) Homage to Delacroix: Liberty Leading The People (1976) Robert Colescott, Trinitarian (2007) Mark di Suvero, Brazilian Screamer (1931) Morris Graves, By the River (1927) C.S. Price, Chu Culture deer funerary guardian (Late 5th early 4th Century BCE)

In Passionate Pursuit (The Arlene and Harold Schnitzer Collection and Legacy) is retiring Chief Curator Bruce Guenther's final exhibition at the Portland Art Museum and it is a massive undertaking where the subtext itself is the act of collecting as sustaining patronage. True collectors like Arlene and Harold Schnitzer share their lives with the objects they relentlessly acquire, creating an anthropological biography in a way that others can experience. Curatorially, sifting through the over 2000 objects in the collection in a cogent, focused and yet representative way to come full circle for the Schnitzers, PAM and Bruce all in one fell swoop. It is clearly very emotional for PAM's staff and the Schnitzers. Also, what I like about Bruce's approach to the show is he didn't group by genre or even chronology, instead it is a conversation of objects and truer to the way the collection has operated in Harold and Arlene Schnitzer's lives.

For example, my favorite corner features a socio-politically challenging Robert Colescott (image above) that has never been exhibited publicly ... (more)


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Posted by Jeff Jahn on October 17, 2014 at 15:12 | Comments (0)


Abigail Anne Newbold at PNCA's Feldman Gallery

Portland's art scene is having a very strong month this October (mostly in painting and photography... much of the installation has been undercooked), but of all the shows the one that I keep returning to is Abigail Anne Newbold's installation, Borderlander's Outfitter at PNCA's Feldman Gallery.

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Borderlander's Outfitter

The exhibition presents itself as a hipsterish quartermaster's gear dispensary or a tool library with an anthropological array of artifacts from a summer survival weekend in the project room. Everything is clothed in fairly recognizable purpose except that everything is a hair off. For example... (more)


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Posted by Jeff Jahn on October 16, 2014 at 15:18 | Comments (0)


Tuesday's complicated links

We will have a review for you shortly and my in depth piece on Bruce Guenther will post on Saturday (the 20th is his last day and many of the most crucial aspects have not been discussed). Till then here are some links:

The uncontested works (?) from the Gurlitt trove will go to the Bern Kunstmuseum. It is a fact, museums walk an incredibly fine line between ennobling culture and the messy way that sausage gets made but the Gurlitt acquisition is perhaps the most tainted situation to come to light in the 21st century to date. Yes, it looks like Bern is being very cautious, but still... this promises to take another 50-100 years to sort out.

Look, art fairs are not Ikea for millionaires. There are a lot of class warfare tinged sentiments out there at the moment but I think we need to separate the discussion of high priced masterworks from relatively unproven contemporary art and the living artists that create it. In general, many of the names you see bandied about right now wont be around in 5-10 years. That "other" work that already has been certified great is still great, despite the very impressive price tags. The worst case scenarios are when these great works leave the public view all together. They both have cultural value worth discussing beyond monetary value. That is what museums are for.

... (more)


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Posted by Jeff Jahn on October 14, 2014 at 14:29 | Comments (0)


Weekend Wanderer

It is one Very Busy weekend in Portland's art scene since Saturday is the last day for TBA visual art shows, Nationale has a new space and Surplus Space is doing a performance night. Here are my picks:

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Stream Room by Deep White Sound at FalseFront sounds a lot like attending numerous trance raves at the same time with its cacaphonous presentation of multiple sound art pieces at the same time. Everything is streamed to multiple handmade streaming devices. Curated and produced for deepwhitesound by DB Amorin with design and visuals by Dana Paresa + programming and consultation by Matt McVickar.

Stream Room | October 11 - November 2
Opening Reception: October 11 6-9PM
FalseFront
4518 NE 32nd Avenue



... (more)


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Posted by Jeff Jahn on October 10, 2014 at 11:16 | Comments (0)


Polly Apfelbaum & Tony Feher at Lumber Room

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(teaser image)Apfelbaum (bg) All the Colors Under the Sun, Feher (fg)

Portland can be a difficult town for outsiders and this goes doubly true for traveling artists and curators who use their credentials like a calling card. Basically, Portlanders are very accepting but they don't accept received wisdom like other places do (it really does take 5+ years to build up your reputation here). Culturally this fact can make the city seem a tad like some lost island (full of dinosaurs or misfit toys, take your pick) but it also means it is a protective enclave for experimentation. That is what Lumber Room's mission has been... a kind of low pressure guesthouse for art and two recent shows by Tony Feher and Polly Apfelbaum allowed each to pursue their own brand of post-minimal/neo-formal exploration in separate shows. Both shows, by virtue of being "explorations" weren't their most memorable efforts but they were an unfolding of the creative process that would be put under a microscope more in New York or London. That is freedom... and important when developing new work. *Update, this tag team show is more successful than the individual solo exhibitions.... (more)


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Posted by Jeff Jahn on October 07, 2014 at 13:24 | Comments (0)


David Byrne gives up, sorta

Today David Byrne published an essay on why he doesn't care about contemporary art anymore. Some may ask, David who? That is a good question but pretty much anyone age 30-60 knows he was once the bellwether of postmodern artyness and yes he made some music too.

I'm not going to comment so much on the content of the art he has lost interest in but to me it seems like it is a very community based critique (and anti-marketplace) of how much Art has lost its awkward struggle... (more)


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Posted by Jeff Jahn on October 07, 2014 at 11:05 | Comments (0)


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