Just blocks away from Oregon's capital building, an exhibition titled Enrique Chagoya: Reverse Anthropology, From the Collections of Jordan D. Schnitzer and His Family Foundation
at the Hallie Ford Museum of Art is one of the most relevant exhibitions in this incredibly loaded period of history. Through blending; economics, anthropology, race and a surprising amount of serious humor Chagoya gave PORT's Victor Maldonado an incredible one on one interview. The exhibition is on view in Salem through January 27.
Enrique Chagoya's Bato character (all photos Jeff Jahn)
V: Enrique, what are you working on in your studio?
E: I am painting a codex. I've been working on some textures and some faces and I just needed to put some finishing touches on because the paint is drying. I needed to get that done for the day.
With one foot firmly in 2019 now is a good time to look at what the Portland art scene has on view with some short reviews.
Residual Membranes at PCC's Paragon Arts Gallery (fg) Exuviation
Amanda Triplett is a serious talent and everyone should take note of this exhibition at PCC Cascade's Paragon Arts Gallery. Combining recycled fabric crafts and coupling it to some of Eva Hesse's postminimalist forms she joins a few of my favorite artists like Ellen George
and Laura Fritz
as artists who explore the borders of the natural and unnatural through material comportment. It is a form that seems ill understood by a lot of dudecentric artworld dialogics.
The most standout work here, Third Skin, is a riot of oranges and pinks made from reclaimed fibers arrayed like the offspring of a fishermen's net and the small intestines of a Jabberwocky make it both fantastical and a
Zaha Hadid's estate is in turmoil
. This isn't good for anyone involved, her legacy involves both her kin and those who made her firm great.
These new city rules for brick and mortar buildings in Portland is terrible and threatens to destroy so many venues that make Portland a creative hub
. City Council must act in a way that acknowledges the way cultural buildings... even if old and less earthquake resistant are the backbone of our position as a creative center. The arts involve risks, lets acknowledge them and support them.
A new movement in British art, research architecture
Italy's government wants a sculpture at the Getty back