Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

Enrique Chagoya Interview
January Review Roundup
2019 1st links
2018 Summary
End of 2018 Links
PNCA + OCAC Merger Off
Loss of Material Evidence at Hoffman Gallery
Hoffman Gallery Changes at Lewis and Clark?
1st Weekend Picks
Meow Wolf The Movie
Giving Thanks Readings
Meet RACC's new leader Madison Cario

recent comments



Book Review
Calls for Artists
Design Review
Openings & Events
About PORT

regular contributors


Tori Abernathy
Amy Bernstein
Katherine Bovee
Emily Cappa
Patrick Collier
Arcy Douglass
Megan Driscoll
Jesse Hayward
Sarah Henderson
Jeff Jahn
Kelly Kutchko
Drew Lenihan
Victor Maldonado
Christopher Moon
Jascha Owens
Alex Rauch
Gary Wiseman



Guest Contributors
Past Contributors
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us


Contact us






powered by


Movable Type 3.16

This site is licensed under a


Creative Commons License

Wednesday 10.12.16

« Weekend Picks | Main | Andy Warhol retrospective interview with Richard Axsom »

Wednesday Links

First Brexit, now England is devaluing the importance of art history as a form of education. Not a good sign for the USA where such things have never been taught or valued much, leading to a lack of critical thinking skills.

5 art cliches that have run their course. I agree, limp fabric was DOA years and years ago, anyone who tacks a tarp or dropcloth from the studio floor on a wall is generally not concerned about looking like a derivative hack. Leaning stuff, also weak. Stacks of anything... especially stuff that looks like it was found in a dumpster is also deeply lame. I'll add another, anything grotty looking on top of a wood grained or painted plinth. People, Isa Genzken and Rachel Harrison did this years ago... Rauschenberg, decades ago. Its revival happened almost 20 years ago and caught on at MFA programslike wildfire since. It is done and isnt a bus that artists can catch anymore.

Curator resigns in St. Louis after controversial art hits the wrong notes. Its true the work was tone deaf... but if curators had to resign for that there would be no curators at major institutions. The problem is the way that artists overreach to try to glom onto relevant topics when their own experience doesn't have any true relationship to what is being discussed. Sometimes (ok often) curators confuse an "authentic" sentiment with one that verity. In fact the word "authentic" usually means it definitely isn't the real deal and is more of a tribute. This overreach is a kind of backhanded disrespect... it happens constantly. Rule of thumb for artists and curators at this time where nerves are more than a little raw... never settle for simulacra of outrage when the real thing is readily available and more powerful. I fear that this will further encourage institutions to shy away from strong art that polarizes though. Still, at CAM the only thing that was polarizing was it was the "authentic" outrage rather than the real thing right outside the door. Lately, curators have been choosing the "authentic" to be safe but it is backfiring now especially when the curator used the time honored arrogant rebuke (people just wont stand for that now but it is super common in the art world). It is an incredibly thin line and the Richard Mosse interview I did last year explores the issue well. In that case the artist owned he risks involved by being there and engaging the documentary tradition by somewhat destroying it... he wasnt just trying to insert himself with the work, he actually did insert himself and risked his life to do so.

Posted by Jeff Jahn on October 12, 2016 at 13:35 | Comments (0)


Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)

Remember me?

s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee