Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

End of October links
All Hallows Picks
Mid October links and news
Weekend Picks: domestic edition
First Thursday October 2017 Picks
Weekend Picks
Vancouver Arts Summit Video
Artist Opportunities
September quandries
Interview with Jennifer Steinkamp
Bill Will at Lewis and Clark College
First Thursday Picks September 2017

recent comments

categories

 

Book Review
Calls for Artists
Design Review
Essays
Interviews
News
Openings & Events
Photoblogs
Reviews
Video
Links
About PORT

regular contributors

 

Tori Abernathy
Amy Bernstein
Katherine Bovee
Emily Cappa
Patrick Collier
Arcy Douglass
Megan Driscoll
Jesse Hayward
Sarah Henderson
Jeff Jahn
Kelly Kutchko
Drew Lenihan
Victor Maldonado
Christopher Moon
Jascha Owens
Alex Rauch
Gary Wiseman

archives

 

Guest Contributors
Past Contributors
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us

 

Contact us

search

 


syndicate

 

Atom
RSS

powered by

 

Movable Type 3.16

This site is licensed under a

 

Creative Commons License

Wednesday 05.01.13

« RACC responds to budget cuts | Main | First Weekend in May 2013 | Openings & Events »

May 2013 : First Thursday (& one for Wednesday too!)

Lahti_surprise.jpg
Cynthia Lahti's Surprise, 2013

The artwork included in Cynthia Lahti's exhibit Elsewhere consists of drawing, collage, books and sculpture created during an 11 week artist residency in Berlin Germany in the fall of 2012. The artwork is influenced by the powerful feeling studying even the smallest artifact can evoke.

Through these works she is focusing on the way various materials affect the conceptual intent and impact of each piece. Elsewhere uses a slew of source material which is then altered, manipulated, and combined. Paper is used quite a bit, introducing an element of fragility, while also making historical references to Dada and Surrealism. At the heart of Lahti's works lie the potential of each material to evoke a different emotional response.


Elsewhere | Cynthia Lahti
April 30 - June 1, 2013
Reception | May 2 | 6-8 pm
PDX Contemporary Art | 925 NW Flanders, Portland Oregon 97209


MattLeavitt.jpg
Matt Leavitt, Remove / Taxonomy in Blue, 2013


Matt Leavitt created Curio after being inspired by representational archetypes he observed in commercials, scientific imagery and art galleries. He uses these archetypes to critique the isolation they suggest and is fueled by the harmonization of rational thought and direct experience.


CURIO | Matt Leavitt
April 27th - June 1, 2013
Opening Reception | May 2 | 6-8 PM
PDX Contemporary Art - Window Project | 925 NW Flanders, Portland, OR 97209


Cowie_Mask1_CCo213_e.jpg
Mask 1 , 2012
ink and watercolor on paper
12 x 9 in
www.elizabethleach.com/Artwork-Detail.cfm?ArtistsID=148&NewID=4493


Claire Cowie's Unreliable Source is an installation of new sculpture, works-on-paper, and photographs rooted in folklore and personal mythology. Through dreamlike imagery, this exhibit addresses life issues and how we make meaning and understand the world. Can we trust what we know or what we are told? How true are our memories? Her investigation has produced an installation dense and rich with complex references, including family photographs, African and Native American sculpture, and folktales. Like any good folktale, there are moments of darkness and elements of hope in the work. It is up to the viewer to construct the narrative.


Ultra Marine is an exhibit of Jaq Chartier's new abstract paintings. They are meditations on the sea and creatures living in coral reefs, with climate change as subtext. This work springs from her interest in landscape, natural sciences, maps of the earth, weather and storms. The paintings use Chartier's signature saturated inks, stains and dyes and remain connected to her exploration of materiality, nineteenth-century art & science, color field painting, process art, and minimalism.


Unreliable Source | Claire Cowie
May 2 - June 29, 2013
Ultra Marine | Jaq Chartier
May 2 - June 1, 2013
Opening | May 2 | 6-8 pm
Elizabeth Leach Gallery | 417 N.W. 9th Avenue Portland, OR 97209


RMA-1139_HornOnDonuts2102325__102325.jpg
Richard Marquis
formatting
Horn on Donuts #2
2013
blown glass, granulare-murrine technique
9.875" x 6.5" x 6.5"
www.bullseyegallery.com/Artwork-Detail.cfm?ArtistsID=323&NewID=3892


In conjunction with BECon 2013 Bullseye Gallery, presents Chroma-Culture a group exhibition that explores the use of color in contemporary kiln-glass.


Chroma-Culture | Mel Douglas, Dafna Kaffeman, Silvia Levenson, Jessica Loughlin, Richard Marquis, Fahan Sky McDonagh, Klaus Moje, Emily Nachison, Tanja Pak, Richard Parrish, Clifford Rainey, Ted Sawyer, Stacy Lynn Smith, Abi Spring, Cassandra Straubing
May 1 - June 29, 2013
Artist Reception | May 1 | 5:30-7:30 PM
Bullseye Gallery | 300 NW 13th Avenue. Portland, OR 97209


TRE043_DeconstructingTheAnthropologicalN173914.JPG
http://www.froelickgallery.com/Exhibit_Detail.cfm?ShowsID=207

In Reframing images, Conceptualizing Indigenous Art, Gail Tremblay a member of the Onondaga and Micmac Nations, uses nontraditional materials (16 and 35mm film stock and colorful film leader) to weave baskets in traditional forms. Interlaced bright loops and cinematic images are stitched carefully with metallic thread. The content of the film used as the medium is integral to the work. Many of the pieces use film from a short documentary called Play and Cultural Continuity, Part VI: Montana Indian Children. Contrary to the film's thesis, Tremblay argues that the play described in the film is not that of games and distractions but that of preserving tradition. She is reclaiming and repurposing a medium that has historically reinforced stereotypes of American Indians, merging Indigenous and mainstream culture.

Reframing images, Conceptualizing Indigenous Art | Gail Tremblay
April 30 - June 1, 2013
First Thursday | May 2 | 5 - 8 pm
Exhibit tour with the artist | May 11 | 11 am
FROELICK GALLERY | 714 NW Davis Street. Portland, Oregon 97209


andrew.jpg
Image by Andrew Schoultz
breezeblockgallery.com/gallery-1a/


Sven Davis has curated Wider than a Postcard opening at Breeze Block Gallery on Thursday. Over 200 artists have been invited to produce works based on the traditional 6x4 postcard format. The artists had the choice of either starting with blank canvases or working over pre-existing postcards. All were given the same brief and the postcards are all loosely related to the ideas of place and belonging. The artworks will be displayed in a grid formation and the entire installation will be composed of over 400 individual artworks.


Wider than a Postcard | curated by Sven Davis
May 2 - June 1, 2013
First Thursday | May 2 | 6 PM
Breeze Block Gallery | 323 NW 6th Ave. Portland, OR 97209


smallvoids.jpg


Seattle based installation artist Todd Jannausch creates public art installations that challenge how we view artwork. His latest project Small Voids is a series of 100 illuminated acrylic boxes that each contain an original piece of artwork by a different Seattle artist. Using magnets these mini galleries are then attached to existing street signs and light poles to transform a city block into an interactive outdoor gallery for one night only.

Small Voids premiered in Seattle last October and is now traveling down the coast. It will be here in Portland on the 2nd and then make it's way down to Oakland for Art Murmur on the 3rd.

For more information on Small Voids & the 100 artists presenting their work please visit their Facebook .


Small Voids | Todd Jannausch
In Portland | May 2, 2013 | Corner of 13th and NW Hoyt | May 2 | 6 - 10PM


Posted by Emily Cappa on May 01, 2013 at 0:09 | Comments (0)


Comments

Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?


s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee