Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

tons of opportunities
more psu mfa shows
East Meets West: An Interview with Sanford Biggers
China at Reed
last pmmnls of the school year
weekend happenings
calling: architects & designers
Journey To The Center Of The Universe
pat boas @ pam
educational
Stephen Slappe's Shelter in Place at NAAU
Art Beat Week

recent comments

Calvin Carl

categories

 

Calls for Artists
Design Review
Essays
Interviews
News
Openings & Events
Photoblogs
Reviews
Video
Links
About PORT

regular contributors

 

Amy Bernstein
Katherine Bovee
Arcy Douglass
Megan Driscoll
Sarah Henderson
Jeff Jahn
Jenene Nagy
Ryan Pierce
Alex Rauch

archives

 

Guest Contributors
Past Contributors
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us

 

Contact us

search

 


syndicate

 

Atom
RSS

powered by

 

Movable Type 3.16

This site is licensed under a

 

Creative Commons License

Sunday 12.03.06

« Round Up | Main | Go Go: Green Light Green Light at Small A Projects »

James Lavadour at PSU

lavadour_lecture.gif

Portland's favorite "greatest painter", James Lavadour, will be this season's final PSU MFA Monday night lecture guest.

The season will resume in early January, with a lecture on January 8 by Dave McKenzie, a Brooklyn-based artist who will be presenting his second solo exhibition in Portland with Tomorrow Will be Better at small A projects.

BIO

James Lavadour is known for his abstract landscapes inspired by mountainous northeastern Oregon where he has lived for most of his life. An avid hiker, Lavadour finds that this physical experience is converted into the kinetic act of painting. "At some point I made a connection between the ways walking conditioned my body movements and the way my body governed my hand when I painted. Links between muscle and memory, place and identity became the basis of my art." Lavadour's work reflects his intimate knowledge of the land and its dynamic permutations. Expressionistic vistas appear caught in the midst of spectacular transfiguration by the sudden force of the elements or position of the sun. Applying pigment, then scraping or wiping it away, the artist re-enacts nature's layering and erosive processes. "Raging currents in a drop of pigment pre-tell the mountains and rivers in a brush stroke. Light burns behind ridges after a simple horizontal scrape...Trails dead end. New spaces open." Lavadour frequently combines small separately painted canvases that present multiple views of the constantly changing panorama. Recently he has introduced architectural shapes and streams of contrasting color that bleed across the terrain. Part Walla Walla Indian and a self-taught painter, Lavadour helped found the nonprofit Crow's Shadow Institute, which provides social, economic and educational opportunities to Native Americans through artistic development. Crow's Shadow Institute is located on the Umatilla Reservation where Lavadour grew up.

"There is a continuous flow of energy and a compounding of events that mark time in a body of work. The whole thing moves forward each time that I discover something new in one painting and apply that lesson to all of the others. In these latest works, color and space, vistas and structures layer upon each other and make me feel as if I am standing before uncountable universes."
—James Lavadour, February 2005

James Lavadour is one of the Northwest's most revered painters. He is the recipient of numerable awards and accolades, including the Eiteljorg Fellowship (2005), Award for Visual Arts from the Flintridge Foundation (2004), Oregon Governor's Arts Award (1994), and the Betty Bowen Award (1991), among many others. Lavadour's work is in the collections of the Portland Art Museum, Seattle Art Museum, Tacoma Art Museum, Boise Art Museum, the MicroSoft Collection and other respected public and private collections.

Lecture · Monday, December 4th · 8:15 p
PSU 5th Avenue Cinema · 510 SW Hall St. Room 92 (on the corner of 5th & Hall)
Funded in part by PICA, PNCA, Reed College, Lewis & Clark College and The Affair at the Jupiter Hotel


Posted by Katherine Bovee on December 03, 2006 at 19:00 | Comments (1)


Comments

I am quite sad I had to miss this tonight. Definitely one of my favorite Portland/Local artists.

Posted by: Calvin Carl [TypeKey Profile Page] at December 5, 2006 02:01 AM

Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?


s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee