Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

Enrique Chagoya Interview
January Review Roundup
2019 1st links
2018 Summary
End of 2018 Links
PNCA + OCAC Merger Off
Loss of Material Evidence at Hoffman Gallery
Hoffman Gallery Changes at Lewis and Clark?
1st Weekend Picks
Meow Wolf The Movie
Giving Thanks Readings
Meet RACC's new leader Madison Cario

recent comments



Book Review
Calls for Artists
Design Review
Openings & Events
About PORT

regular contributors


Tori Abernathy
Amy Bernstein
Katherine Bovee
Emily Cappa
Patrick Collier
Arcy Douglass
Megan Driscoll
Jesse Hayward
Sarah Henderson
Jeff Jahn
Kelly Kutchko
Drew Lenihan
Victor Maldonado
Christopher Moon
Jascha Owens
Alex Rauch
Gary Wiseman



Guest Contributors
Past Contributors
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us


Contact us






powered by


Movable Type 3.16

This site is licensed under a


Creative Commons License

Monday 01.09.17

« First Thursday Picks January 2017 | Main | New Year opportunities »

Monday Integrity Links

Jerry Saltz discusses what the Art World needs to do in 2017. Right now art has become a bit too pleased with itself and isnt challenging itself or its audiences enough. As Robert Hughes once wrote art had become too much of "a vocation" rather than "an avocation." Curators and artists need to find the edge rather than the safe middle ground for their careers. It will take some visionary collectors to support it rather than just rely on advisors and "best practices" that perpetually turn art's wild intellectual and physical brambles into well manicured golf courses that make art the Pet of the rich. It takes integrity. I'm working on a big piece for PORT on this to kick 2017 in the arse.

Why are so many Universities putting so much energy into their art museums? The two in Portland that could are Reed and Lewis and Clark. Something tells me L&CC is the more likely bet. I like it better than a lot of private museums and that wealth has to go somewhere... better to make it public. That said a private space with some realy integrity, insight and edge can make a huge difference. For example this project in LA has promise but I can think of a hundred solid ways to spend less and do more, especially in Portland.

Peggy Guggenheim's grandson continues to show integrity is not dead, and even though she wasnt his favorite person he defends her legacy from the Guggenheim Foundation's handling of her collection. She was a pain... most great artists and patrons are demanding as well (curators and critics too... though personally I only become prickly when Integrity is at stake, otherwise life is too short).

Now the Oregonian has published a very soft rather damage control piece on Disjecta. Frankly, you'll learn more from the short blurb at the end of this post on PORT from last year. If Disjecta doesnt seem like it can survive without its founder, then its because its founder made it that way. To be frank, the Portland2016 Biennial was a diffuse mess because they could not execute the kind of ambitions amidst personalities/skillsets they had to juggle. There is a place for that kind of personality but not when an institution's budget gets over say 80k a year and it helps if it exists only as a small project space. His art knowledge was never impressive and seemed to focus on names over execution. The fact it went on as long as it did show how forgiving Portland can be and there is a laundry list of problems. I'm quoted in the article as are other people with damning 1st hand knowledge. Basically, it was cherry picking the most charitable statement I gave and it seems to be edited a certain way... another reason the Oregonian has ceased to be relevant (last time was what 15 years ago?). Regardless, the fact that the Hail Mary play was doomed tells one a great deal. It is not a private club... frankly a problem with many arts orgs in Portland but that wasn't the true issue was it? I do feel bad for the situation but it is one he created and never managed to outgrow.

Posted by Jeff Jahn on January 09, 2017 at 13:42 | Comments (0)


Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)

Remember me?

s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee