Bullseye Glass and the State of Oregon have reached an agreement
. This is good as Bullseye is a part of the arts economy, while at the same time the kinds of materials that were being vented into the air were simply unacceptable. The problem was relaxed regulation of most industries and there are plenty of other industrial air quality polluters in the city that have also been exploiting the same loopholes (hopefully this gets addressed and soon). For example, Overlook neighborhood residents hope that enforcement is uniform.
At age 70, Mary Heilmann's career is red hot
, but why does it take so long for many females? Retrospectives for women are rarer and prevailing wisdom in museums always tends to follow patronage money rather than taste and importance... not having many critics to assess that makes it twice as hard.
Do art spaces = gentrification?
... often yes but that's like shooting the messenger. It can also work in reverse, like PICA's new home
. The question in Portland is creating funding sources that support formal arts entities when informal ones are out-priced. Formalizing affordability for artists is the key but that takes serious know how as the people who did Milepost 5 (they kinda stumbled through it and it takes a bit more cultural seeding).
The best editor I ever had was Karen Wright (back in Modern Painter's excellent London days) and she thinks the Turner Prize needs to be more substantial and less a series of affected ploys
. I agree with her, though Portland has the opposite problem... much of our discourse is mired in hobbled and antiquated discussions of craft that dont acknowledge the skills in computers, other tech and design or that somewhat irritating aspect of art that drives people crazy... some call it "edge". Besides skill alone doesn't truly make art powerful, it takes a sense of an "edge of understanding"... rather than the ploy of being edgy. Having a true edge seems to embody and encapulate the flux between the known and unknown. In Portland our talking points often scratch at craft, the environment and often a very token discussion of diversity, whereas challenging male Mexican artists or anyone with and incisive edge are far too threatening to show with the group or be given awards (Hallie Ford Fellowships and CNAA's to name names). Portland and London could and should have more exchanges as both places have excellent international art scenes.... Portland is full of weird woodshedders and London is full of people who are unapologetic about being unapologetic (aka the antidote to the humble brag).
Thanks for signing in,
. Now you can comment. (sign
(If you haven't left a comment here before, you may need to be approved by
the site owner before your comment will appear. Until then, it won't appear
on the entry. Thanks for waiting.)