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Monday 06.22.15

« Weekend Picks | Main | Ethan Rose Entwined at PDX Contemporary »

Art World Stories

Kenny Schachter's damage report for Art Basel. As much as these articles always seem to present themselves as an all new scenario, generally things have always been this way. The difference today is the scope, scale and stakes have shifted considerably... the art world consists of a series of negotiated confidences but what happens when art is considered a class of investment? Something that has been going on since the Romanoffs etc... only now it is far less of a medieval style market.

Which brings us to the revolving door article on museum curators and the top art galleries. Once again, institutional curators always have kept up relationships with galleries. What I find most interesting is that the most talented curators at the height of their powers and confidences like; Storr, Schimmel, Elderfield... all people I know and admire greatly, somehow don't feel like they fit at our top museums anymore. Museums have always been on the sometimes tense border between the interests of the 1% and their duty as custodians of culture/access for the public but what happens when all the best and brightest talent either becomes a museum director or an art consultant?

In a related story, "Death by Curation," and the dangers of blockbusters... but is it really a lack of curators with a integral programme?

Art pavilions have been a major trend for institutions and festivals trying to get beyond the art bunkers and white boxes and the latest trippy cocoon for the Serpentine Gallery is no exception. They can catalyze different types of engagement. Some artists like Jorge Pardo have made careers out of them, (his permanent one in Portland is a personal fave because it subverts function by substituting shelter for lighthouse-like navigation concerns).

Carl_Nesjar.jpg

Here is a fascinating obituary for those unfamiliar with Carl Nesjar, perhaps the only artist allowed to alter Picasso's work. There is something incredibly current about the level of delegation and collaboration that existed between these two artists and I'm a fan of Nesjar's personal ice fountain work as well.

Posted by Jeff Jahn on June 22, 2015 at 10:32 | Comments (0)


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