The final Art Vs. Reality involves art critics and though it is a bit rudimentary I think it is a useful series.
One thing I wish Peter Drew had fleshed out a lot more is the difference between simple opinion and higher levels of comparative connoissuership. For example, there is experience and when applied it can predict the difference between good, better and great work, because art doesn't exist in a vacuum ... though a lot of art schools and low-mid level dealers act like it does or want to treat everything with equivalence (it isn't). I discussed it a bit in this primer to an essay on art criticism I have been writing
off and on, but it is crucial to note how not all art writing involves truly critical thinking and comparative discourse. Instead, it typically involves personal allegiances, which are not the same thing (rhetorically any time someone tries to make something personal it means they don't have an intellectual response and I take special joy in demolishing those bunkers of mendacity). On another front a lot of academic art writing would rather supplant the work and replace it with dialogical text, which I find careerist and designed to fluff CV's. Instead, real criticism purposefully acknowledges its diagnostic and separate role from the needs of the artist, presenting institution and genre. Instead, it tests the often presupposed effects and outcomes of the work as well as the overall value of those presuppositions, which always attend any work today. Social media is often a shouting match or a builder of group momentum, which does have its value. Whereas criticism is a long game and I don't see the two making each other less relevant. A strong critic that stands up to the group think and reveals the way it can really miss the boat is very valuable. There aren;t many such critics because there are few platforms these days. PORT is one of them.
Yes, here is a map of a large part of the universe
... I don't need to write anything more. If you aren't interested you can't be helped.
Rauschenberg Foundation's artist as activist grants
Thanks for signing in,
. Now you can comment. (sign
(If you haven't left a comment here before, you may need to be approved by
the site owner before your comment will appear. Until then, it won't appear
on the entry. Thanks for waiting.)