Portland art blog + news + exhibition reviews + galleries + contemporary northwest art

recent entries

2019 1st links
2018 Summary
End of 2018 Links
PNCA + OCAC Merger Off
Loss of Material Evidence at Hoffman Gallery
Hoffman Gallery Changes at Lewis and Clark?
1st Weekend Picks
Meow Wolf The Movie
Giving Thanks Readings
Meet RACC's new leader Madison Cario
November Reviews
Early November Links

recent comments

categories

 

Book Review
Calls for Artists
Design Review
Essays
Interviews
News
Openings & Events
Photoblogs
Reviews
Video
Links
About PORT

regular contributors

 

Tori Abernathy
Amy Bernstein
Katherine Bovee
Emily Cappa
Patrick Collier
Arcy Douglass
Megan Driscoll
Jesse Hayward
Sarah Henderson
Jeff Jahn
Kelly Kutchko
Drew Lenihan
Victor Maldonado
Christopher Moon
Jascha Owens
Alex Rauch
Gary Wiseman

archives

 

Guest Contributors
Past Contributors
January 2019
December 2018
November 2018
October 2018
September 2018
August 2018
July 2018
June 2018
May 2018
April 2018
March 2018
February 2018
January 2018
December 2017
November 2017
October 2017
September 2017
August 2017
July 2017
June 2017
May 2017
April 2017
March 2017
February 2017
January 2017
December 2016
November 2016
October 2016
September 2016
August 2016
July 2016
June 2016
May 2016
April 2016
March 2016
February 2016
January 2016
December 2015
November 2015
October 2015
September 2015
August 2015
July 2015
June 2015
May 2015
April 2015
March 2015
February 2015
January 2015
December 2014
November 2014
October 2014
September 2014
August 2014
July 2014
June 2014
May 2014
April 2014
March 2014
February 2014
January 2014
December 2013
November 2013
October 2013
September 2013
August 2013
July 2013
June 2013
May 2013
April 2013
March 2013
February 2013
January 2013
December 2012
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
February 2012
January 2012
December 2011
November 2011
October 2011
September 2011
August 2011
July 2011
June 2011
May 2011
April 2011
March 2011
February 2011
January 2011
December 2010
November 2010
October 2010
September 2010
August 2010
July 2010
June 2010
May 2010
April 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
July 2009
June 2009
May 2009
April 2009
March 2009
February 2009
January 2009
December 2008
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005

contact us

 

Contact us

search

 


syndicate

 

Atom
RSS

powered by

 

Movable Type 3.16

This site is licensed under a

 

Creative Commons License

Wednesday 04.04.12

« Gilley and Schenk at College Galleries | Main | Milgrim and Senju at Japanese Garden »

First Thurday Picks April 2012

Day_Job.jpg

By and large, young and emerging artists in this economic climate are in debt. Fortunately, many negotiate clever solutions to the lack of so-called 'studio time' while tinkering away in the cubicle, classroom, lab, etc. Day Job, originally exhibited at the Drawing Center, NY in 2010, highlights a group of these artists capitalizing off the byproducts of their daily grind. "Rather than subscribing to the idea that non-artistic work is by definition disruptive to an artist’s practice, Day Job looks at the ways in which the information, skills, ideas, working conditions, or materials encountered in the work world can become a source of influence". Day Job is curated by the cunningly whimsical Nina Katchadourian and organized by Mack McFarland.


Curator Walkthrough followed by Reception | April 5th | 5:30 - 9 pm
Philip Feldman Gallery at PNCA | 1241 Northwest Johnson Street




jFlorschutz_breezeblock_Beehive_sm.jpg
Florschutz at Breeze Block Gallery

Speaking of byproducts, stop by Breeze Block to see the sculptural of work of recent Portland transplant, James Florschutz. This might prove to be quite a mature show for the space. Cleanly rendered from rugged materials, the artist says his work"investigates the ubiquity of sites, excavations and mapping" in an attempt to "overlay order on [his] environment and to make sense of a seemingly chaotic world".


Beeze Block Gallery | 323 NW 6th Ave.
1st Thursday hours 6-10pm
Regular Hours: Wed.-Sat. 12-6pm



Entorus1_sm.jpg
Laura Fritz Entorus (detail)

Considered by many to be one of Portland's most original artists, Laura Fritz returns to the Pearl District with Entorus. Her minimalist and mysterious objects, fascinate, confound, unsettle and astound with their perceptual approach to uncertainty. Over a decade ago, she made a name for herself in the Pearl, which curiously doesn't have that many multimedia shows. 2008 was the last time she turned up in a First Thursday so you wont want to miss this.


Maddox Building | 1231 NW Hoyt St., Suite B5 (downstairs at the end of the hall turn right)
First Thursday Reception: April 5th 6-9 PM
Regular Hours: 1-5 PM Saturdays and Sundays | April 4 - 29th




brophyrusso_ladder.jpg
Ladder, Michael Brophy, oil on canvas, 2011

Like a modernized, chiaroscuroed version of the Hudson River School, Michael Brophy is showing a new series of work entitled Night Portrait at Laura Russo Gallery. They say he "merges his interest in contemporary human experience and landscape with a graphic sense inspired by Old Master painters such as Piero della Francesca and Giotto. Specifically, he paints portraits of the night. Scenes of earth and sky are dark, still, and iconic".


Opening Reception | April 5th | 5 - 8 pm
Laura Russo Gallery | 805 NW 21st Ave




backwater_Speer.jpg
Eva Speer's Backwater

Charles Hartman Fine Art presents Superficial Injuries, the newest body of work by Eva Speer. Speer's new paintings make use of natural forms and processes to show relationships of control and compelling forces. There is an emphasis on liquid flow, boundlessness, and processes of accretion and destruction but rather than reinforcing historical representations of nature, the paintings are an intersection of the technically mediated and the ineffable.


Charles A. Hartman Fine Art
| 134 NW 8th Avenue, Portland
Superficial Injuries | April 4 - 28, 2012
First Thursday Reception: April 5th, 5:00—8:00pm


Posted by Tori Abernathy on April 04, 2012 at 12:13 | Comments (0)


Comments

Post a comment

Thanks for signing in, . Now you can comment. (sign out)

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


Remember me?


s p o n s o r s
Site Design: Jennifer Armbrust   •   Site Development: Philippe Blanc & Katherine Bovee