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Tuesday 06.09.09

« Aloïs Godinat | Main | PAM Artist Lecture: Randy Gragg »

The deal with John Wesley

John Wesley at Chinati 2009

John Wesley confuses the hell out of people but I really like his work, the Times has a piece on him here today. Of course Donald Judd liked his work too and upon a recent viewing of his installation at Chinati I could see why. He was also an excellent addition to Robert Storr's 2004 Site Santa Fe Biennial on the grotesque, fitting right in with R. Crumb, Carroll Dunham, Robert Gober and Tony Oursler. Wesley's work certainly does create a kind of "Soul Dizzyness" Storr described in the biennial's text.

So what is it about Wesley that keeps him an insider's favorite? For me its his clean clear fugal forms of composition, his blurring between the private things we all notice but don't speak about and bland things we always seem to discuss... like the predictably torrid lives of celebrities (his work makes Access Hollywood obsolete). But it's also Wesley's deft deadpan comedic timing, wicked wit and rigorous restraint that slays me. A lot of people scratch their heads about why Judd liked his work but I don't... they both had a systematic and rigorous approach. Put it this way, in Judd and Wesley there are no happy accidents... it's effect is 100% intended from the outset. If one were to measure an artist by considering their intent and effect, Wesley and Judd seem like close cousins. For Pop comparison's sake, Wesley exerted so much more control than Warhol, yet was a great deal more lyrical than Lichtenstein... so much so that his work always feels alien, not familiar like a POP artist's. In many ways he's like the clean/controlled antipode of Raymond Pettibon.

I also think Wesley's Chinati presence helps make the case that Judd's tastes were a lot wider and more catholic than people give him credit for. I think understanding Wesley helps break our more hackneyed thinking about Judd and Flavin away from that crutch word "minimalism" too. Also, Judd and Flavin in combination with Wesley makes the "Pop" seam in art seem a tad crude as a term as well. I've been working on a non-linear (churned? blended? frappe'd?) history of art lecture for the past year and I did a preliminary lecture at the U of O last year. I now realize Wesley needs to be added.

Last but not least. the Portland Art Museum has a nice Wesley in the Jubitz Center up most of the time, I'll discuss it at length later this week.

Posted by Jeff Jahn on June 09, 2009 at 11:41 | Comments (3)


Who's this Judd character? Everyone seems to have a boner over him now, is he the new Irwin or something?

Posted by: clarklovins [TypeKey Profile Page] at June 9, 2009 01:04 PM

Well he is dead so no. Maybe you should look him up.

Posted by: Awow [TypeKey Profile Page] at June 9, 2009 04:02 PM

Just a heads up, if you thought there has been too much talk about Judd as of late... better buy some earplugs because it is going to get a w h o l e lot worse.

Posted by: Double J [TypeKey Profile Page] at June 9, 2009 04:05 PM

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